The Mauryas and the Post-Mauryan Age
Ashoka: Kalinga, Dhamma and the Edicts
Ashoka’s dhamma was not simply Buddhism. It was a code of public ethics meant for every subject whatever their sect: obedience to parents, respect for elders and teachers, generosity to Brahmanas and Shramanas, kindness to slaves and servants, non-violence towards living beings, moderation in spending, and above all tolerance of other sects. To spread it he appointed dhamma-mahamattas in his 13th regnal year, replaced royal pleasure tours with dhamma-yatras, banned animal sacrifice at the capital and certain festive gatherings (samajas), and planted trees, dug wells and built rest houses along roads. He sent his son Mahendra and daughter Sanghamitra to Sri Lanka, and missions to the Hellenistic kingdoms of the west.
| Category | Important sites | Points to remember |
|---|---|---|
| 14 Major Rock Edicts | Kalsi (Uttarakhand), Girnar (Gujarat), Sopara (Maharashtra), Dhauli and Jaugada (Odisha), Erragudi (Andhra Pradesh), Sannati (Karnataka), Shahbazgarhi and Mansehra (Pakistan), Kandahar (Afghanistan) | At Dhauli and Jaugada, edicts XI–XIII are left out and two Separate Kalinga Edicts added ("All men are my children") |
| 7 Pillar Edicts | Delhi-Topra, Delhi-Meerut, Allahabad (Prayagraj), Lauriya-Araraj, Lauriya-Nandangarh, Rampurva | Only Delhi-Topra carries all seven; the Topra and Meerut pillars were moved to Delhi by Firoz Shah Tughlaq |
| Minor Rock Edicts | Maski, Gujarra, Nittur, Udegolam, Brahmagiri, Rupnath, Bairat (Bhabru), Sasaram | The name "Ashoka" appears at Maski, Gujarra, Nittur and Udegolam; Bhabru states his faith in the Buddha, Dhamma and Sangha |
| Minor Pillar Edicts | Sarnath, Sanchi, Allahabad (Schism and Queen’s edicts), Rummindei (Lumbini), Nigali Sagar | At Lumbini the village was freed from bali and its share (bhaga) cut to one-eighth |
| Edict | Content |
|---|---|
| I | Ban on animal sacrifice and on festive samajas |
| II | Medical care for men and animals; names the Cholas, Pandyas, Satiyaputras, Keralaputras and Tamraparni (Sri Lanka), and the Greek king Antiochus |
| III | Yuktas, Rajukas and Pradeshikas to tour every five years |
| IV | The sound of the war-drum (bherighosha) replaced by the sound of dhamma (dhammaghosha) |
| V | Appointment of dhamma-mahamattas |
| VIII | Dhamma-yatras replace pleasure tours; visit to Sambodhi (Bodh Gaya) in the 10th regnal year |
| XII | Tolerance among sects — honour others’ sects to honour your own |
| XIII | Kalinga war and remorse; dhamma-vijaya; names five Greek kings — Antiochus II, Ptolemy II, Antigonus Gonatas, Magas and Alexander (of Epirus or Corinth) |
Mauryan Administration, Economy and Society
The Arthashastra describes the state through its saptanga theory — seven limbs: the king (swami), ministers (amatya), territory and people (janapada), fort (durga), treasury (kosha), army (danda) and ally (mitra). The king was assisted by a council of ministers (mantriparishad), and the text names some 18 high officers (tirthas) and a host of superintendents (adhyakshas). The empire was divided into provinces under princes (kumaras): Uttarapatha (capital Taxila), Avantirashtra (Ujjayini), Kalinga (Tosali), Dakshinapatha (Suvarnagiri) and the central region around Pataliputra. Below them worked the rajukas (land measurement and justice), pradeshikas and yuktas named in the edicts, and a network of spies (gudhapurushas), both stationary (samstha) and wandering (sanchara).
| Officer | Responsibility |
|---|---|
| Samaharta | Chief collector of revenue |
| Sannidhata | Treasurer — custodian of the state treasury and stores |
| Sitadhyaksha | Superintendent of crown lands and state farms |
| Panyadhyaksha | Superintendent of commerce and prices |
| Shulkadhyaksha | Superintendent of tolls and customs |
| Akaradhyaksha | Superintendent of mines |
| Lakshanadhyaksha | Superintendent of the mint |
| Navadhyaksha | Superintendent of ships and ferries |
| Pautavadhyaksha | Superintendent of weights and measures |
Megasthenes adds the view from the capital. Pataliputra was a long parallelogram on the Ganga enclosed by a wooden palisade with 570 towers and 64 gates; excavations at Kumrahar have revealed the remains of an 80-pillared hall. The city was run by 30 officials in six boards of five — for industries, foreigners, registration of births and deaths, trade, sale of manufactured goods, and the collection of a tax of one-tenth on sales — and the army likewise by six boards (infantry, cavalry, chariots, elephants, navy, transport). He also reported that Indian society had seven "castes" (philosophers, farmers, herdsmen, artisans, soldiers, overseers, councillors) and that there was no slavery — both misreadings by an outsider: the first confuses occupations with varna, and the Arthashastra and the edicts themselves speak of dasas.
Mauryan Art and the Fall of the Empire
Mauryan art falls into two streams. Court art was commissioned by the emperor: the great monolithic pillars of Chunar sandstone, given a mirror-like finish known as the Mauryan polish, rising without a base to a bell-shaped (inverted lotus) capital, an abacus and a crowning animal; the first stupas; and rock-cut caves. Popular art was made for local patrons: life-size stone yakshas and yakshis, the guardian spirits of folk religion, and terracotta figurines.
| Monument | Where | Why it is asked |
|---|---|---|
| Lion Capital | Sarnath | Four lions back to back; abacus with an elephant, bull, horse and lion separated by 24-spoked wheels; adopted as the State Emblem on 26 January 1950 |
| Bull Capital | Rampurva | Now in Rashtrapati Bhavan |
| Single-lion capital | Lauriya-Nandangarh | Pillar still standing with its capital |
| Rock-cut elephant | Dhauli (Odisha) | Carved above the Kalinga edicts |
| Lomas Rishi and Sudama caves | Barabar hills, near Gaya | Earliest rock-cut caves; Sudama dedicated by Ashoka to the Ajivikas; Lomas Rishi’s doorway copies a wooden hut with an arched (chaitya) roof |
| Nagarjuni caves | Near Barabar | Dedicated to the Ajivikas by Ashoka’s grandson Dasharatha |
| Didarganj Yakshi | Found at Didarganj, Patna (1917) | Polished chauri-bearer; dated to the Mauryan period by many, later by others |
| Sanchi stupa (core) | Near Vidisha (Madhya Pradesh) | Brick core by Ashoka; enlarged in stone under the Shungas; gateways (toranas) added in the 1st century BCE |
After Ashoka the empire weakened under a series of short-lived rulers — Dasharatha, Samprati and others — and around 185 BCE the general Pushyamitra Shunga killed the last Mauryan, Brihadratha, while he was reviewing the army. Historians explain the collapse differently, and an answer should present them as views: H. P. Shastri saw a Brahmanical reaction against Ashoka’s policies; H. C. Raychaudhuri blamed Ashoka’s pacifism for weakening the army; D. D. Kosambi pointed to financial strain; and Romila Thapar stressed an over-centralised administration that depended on the person of the king.
After the Mauryas: Shungas, Kanvas, Kharavela and the Satavahanas
- Shungas (c. 185–73 BCE) — Pushyamitra performed two Ashvamedha sacrifices (the Ayodhya inscription of Dhanadeva) and is remembered in Buddhist texts as a persecutor, a charge many historians doubt since Buddhist sites like Bharhut and Sanchi flourished in Shunga times. The grammarian Patanjali (Mahabhashya) was his contemporary. His son Agnimitra is the hero of Kalidasa’s Malavikagnimitram. The capital moved over time from Pataliputra to Vidisha.
- The Heliodorus pillar at Besnagar (Vidisha), late 2nd century BCE, was set up by Heliodorus, a Greek from Taxila and envoy of the Indo-Greek king Antialcidas to the Shunga court of Bhagabhadra. It is a Garuda-dhvaja in honour of Vasudeva, and Heliodorus calls himself a Bhagavata — the earliest inscriptional evidence of a foreigner adopting the Vaishnava faith.
- Kanvas (c. 73–28 BCE) — the minister Vasudeva Kanva killed the last Shunga, Devabhuti; four Kanva kings followed before the dynasty was swept away by the Satavahanas.
- Kharavela of Kalinga (Mahameghavahana or Chedi dynasty, c. 1st century BCE, some say 2nd) — known almost entirely from his Hathigumpha inscription at Udayagiri near Bhubaneswar, in Prakrit and Brahmi, which narrates his reign year by year. A devout Jaina, he brought back to Kalinga a Jina image that a Nanda king had carried off to Magadha.
In the Deccan the Satavahanas — the "Andhras" or "Andhrabhrityas" of the Puranas — founded by Simuka, ruled from Pratishthana (Paithan) on the Godavari and later from Amaravati (Dhanyakataka) on the Krishna. Satakarni I is known from the Naneghat inscription of his queen Nayanika. The greatest king, Gautamiputra Satakarni (c. 106–130 CE), is praised in the Nashik inscription of his mother Gautami Balashri as the destroyer of Shakas, Yavanas and Pahlavas, the uprooter of the Kshaharata family (he defeated the Shaka Nahapana) and as ekabrahmana — a peerless Brahmana. Vasishthiputra Pulumavi followed him, and Yajna Sri Satakarni issued coins bearing a ship, a sign of the sea trade of the age.
Indo-Greeks, Shakas, Parthians and Kushanas
The Indo-Greeks came first, from Bactria, under Demetrius in the early 2nd century BCE. The most famous is Menander (Milinda), ruling from Sakala (Sialkot) around the middle of the 2nd century BCE, whose questions to the monk Nagasena form the Pali Milindapanho. The Indo-Greeks issued the first Indian coins that can be definitely attributed to kings, with portraits and names, and standard textbooks also credit them with the first gold coins, though gold was struck in quantity only by the Kushanas. Greek influence shows in astronomy (the Yavanajataka), in the word yavanika for a stage curtain, and above all in Gandhara art.
The Shakas (Scythians) followed, in branches based at Taxila, Mathura, and in western India as the Western Kshatrapas — the Kshaharatas of Maharashtra (Nahapana) and the Kardamakas of Ujjayini (Chashtana, Rudradaman I). Rudradaman’s Junagadh (Girnar) inscription of 150 CE is the first long inscription in chaste Sanskrit; it records his repair of the Sudarshana lake and his victories over the Satavahana ruler of the Deccan. Tradition links the Vikrama Samvat (57 BCE) with a king Vikramaditya of Ujjayini who drove the Shakas out, a story whose history is uncertain. The Parthians (Pahlavas) are known chiefly through Gondophernes (Gondophares), in whose reign Christian tradition places the arrival of St Thomas.
| Feature | Gandhara | Mathura | Amaravati |
|---|---|---|---|
| Region | North-west (Peshawar valley, Taxila) | Mathura, Braj | Lower Krishna–Godavari valley |
| Material | Grey-blue schist, stucco | Spotted red sandstone | White marble-like limestone |
| Influence | Greco-Roman — wavy hair, heavy drapery, realistic anatomy | Indigenous — fleshy, smiling, energetic figures | Indigenous — narrative panels in motion |
| Themes | Mainly Buddhist | Buddhist, Jaina and Brahmanical | Mainly Buddhist (Jataka and the Buddha’s life) |
| Patrons | Indo-Greeks, Shakas, Kushanas | Kushanas | Satavahanas, later Ikshvakus |
The Sangam Age of Tamilakam
South of the Mauryan frontier, the land the Tamils called Tamilakam was ruled by three crowned dynasties — the Cheras, Cholas and Pandyas — whom Ashoka himself names in Rock Edict II. Our main source is Sangam literature, a body of Tamil poetry usually dated between about the 3rd century BCE and the 3rd century CE. Later tradition (the commentary of Nakkirar) speaks of three Sangams (assemblies of poets) held under Pandya patronage: the first at Then Madurai, presided over by the sage Agastya; the second at Kapadapuram, of which only the grammar Tolkappiyam survives; and the third at Madurai. Only the works of the third survive in quantity.
| Kingdom | Capital | Port | Emblem | Famous ruler |
|---|---|---|---|---|
| Chera | Vanji (Karur) | Muziris (Muchiri), Tondi | Bow and arrow | Senguttuvan, the "Red Chera" — Pattini (Kannagi) cult |
| Chola | Uraiyur | Puhar (Kaveripattinam) | Tiger | Karikala — battle of Venni; traditionally credited with the Kallanai (Grand Anicut) on the Kaveri |
| Pandya | Madurai | Korkai (pearls) | Fish (carp) | Nedunjeliyan — battle of Talaiyalanganam |
- Tolkappiyam by Tolkappiyar — the earliest Tamil grammar, also a guide to poetics.
- Ettuthogai (eight anthologies) and Pattuppattu (ten idylls) — the core Sangam poetry, divided into akam (love, the inner world) and puram (war, kings and the outer world).
- Pathinenkilkanakku (eighteen minor works) — includes Thiruvalluvar’s Tirukkural, 1,330 couplets on virtue, wealth and love, often called the "Tamil Veda".
- The twin epics, generally placed a little after the Sangam corpus (c. 5th–6th century CE): Silappadikaram by Ilango Adigal — the story of Kannagi and Kovalan and the anklet — and Manimekalai by Sittalai Sattanar, a Buddhist sequel about Kovalan’s daughter by Madhavi.
- c. 321 BCEChandragupta Maurya takes Pataliputra
- c. 261 BCEAshoka’s Kalinga war
- c. 185 BCEPushyamitra Shunga kills Brihadratha
- mid-2nd century BCEMenander rules from Sakala
- c. 1st century BCEKharavela’s Hathigumpha inscription; Sanchi gateways
- 78 CE or c. 127 CEKanishka’s accession (the date is debated)
- 150 CERudradaman’s Junagadh inscription
Key takeaways
- Chandragupta Maurya (c. 321–297 BCE) defeated Seleucus Nicator and received the north-west for 500 elephants; Megasthenes wrote the Indica; Kautilya’s Arthashastra was published by R. Shamasastry.
- Ashoka: Kalinga war c. 261 BCE (Rock Edict XIII); dhamma, dhamma-mahamattas (RE V), dhamma-yatras (RE VIII), tolerance (RE XII). Name "Ashoka" at Maski; Kharoshthi at Shahbazgarhi and Mansehra; Greek and Aramaic at Kandahar; all seven pillar edicts only at Delhi-Topra.
- Mauryan administration: saptanga state, provinces under kumaras (Taxila, Ujjayini, Tosali, Suvarnagiri), Samaharta (revenue) vs Sannidhata (treasury), rajukas; Pataliputra run by 30 officials in six boards.
- Mauryan art: polished Chunar sandstone pillars; the Sarnath Lion Capital became the State Emblem on 26 January 1950; Barabar caves for the Ajivikas; the Didarganj Yakshi.
- Post-Mauryan India: Shungas (Pushyamitra, Heliodorus pillar to Vasudeva), Kanvas, Kharavela (Hathigumpha), Satavahanas (matronymics, land grants, Prakrit, lead coins; Gautamiputra Satakarni in the Nashik inscription).
- Foreign rulers: Menander (Milindapanho), Rudradaman (Junagadh, 150 CE — first long chaste-Sanskrit inscription), Kanishka (Purushapura; Fourth Council; accession 78 CE or c. 127 CE); Gandhara (schist, Greco-Roman), Mathura (red sandstone), Amaravati (Satavahana).
- Sangam age: Chera (Vanji, bow, Muziris), Chola (Uraiyur, tiger, Puhar), Pandya (Madurai, fish, Korkai); Tolkappiyam, Tirukkural, Silappadikaram (Ilango Adigal), Manimekalai (Sittalai Sattanar); Roman trade at Arikamedu.
Practice questions (16)
Attempt each one before opening the answer. Every explanation names the tempting wrong option as well as the right one, because that is where marks are lost.
The Indica, an account of India under Chandragupta Maurya, was written by:
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Answer: B — Megasthenes
Megasthenes, envoy of Seleucus Nicator at Pataliputra, wrote the Indica, which survives only in quotations by later Greek writers. Deimachus and Dionysius were envoys at the court of Bindusara, and Heliodorus was an Indo-Greek envoy to the Shunga court.In which one of the following inscriptions does the emperor’s personal name "Ashoka" appear, instead of only the title Devanampiya Piyadasi?
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Answer: A — Maski
The Maski minor rock edict in Karnataka, found in 1915, names the emperor as Ashoka; the name also occurs at Gujarra, Nittur and Udegolam. Girnar, Kalsi and Dhauli carry Major Rock Edicts, which use only the title Devanampiya Piyadasi.Ashoka’s description of the Kalinga war and of his remorse after it is found in which Major Rock Edict?
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Answer: D — Rock Edict XIII
Rock Edict XIII records the deportation of 150,000 and the killing of 100,000 in Kalinga and announces conquest by dhamma. Rock Edict XII is the near-miss: it deals with tolerance among sects, not the war.Consider the following statements about Ashoka’s inscriptions:
1. The rock edicts at Shahbazgarhi and Mansehra are written in the Kharoshthi script.
2. An inscription at Kandahar is in Greek and Aramaic.
3. The versions at Dhauli and Jaugada include Rock Edict XIII.
Which of the statements given above are correct?Show answer
Answer: B — 1 and 2 only
Statements 1 and 2 are correct. Statement 3 is wrong and is the trap: in Kalinga itself, at Dhauli and Jaugada, edicts XI, XII and XIII were left out — the account of the war was not carved in the conquered land — and two Separate Kalinga Edicts were added instead.In the Mauryan administration described in the Arthashastra, the Samaharta was the:
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Answer: C — Chief collector of revenue
The Samaharta was the chief collector of revenue. The custodian of the treasury was the Sannidhata — the pair is regularly swapped — while state farms came under the Sitadhyaksha and ships under the Navadhyaksha.The Lion Capital of Ashoka at Sarnath was adopted as the State Emblem of India on:
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Answer: C — 26 January 1950
The emblem was adopted on 26 January 1950, the day the Republic came into being. 24 January 1950 is the trap: on that day the Constituent Assembly adopted the national anthem and national song, and 26 November 1949 is when the Constitution itself was adopted.The Besnagar pillar was set up by Heliodorus, envoy of the Indo-Greek king Antialcidas, as a Garuda-dhvaja in honour of:
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Answer: A — Vasudeva
Heliodorus calls himself a Bhagavata and dedicates the pillar, topped by Garuda, to Vasudeva — early evidence of the Vaishnava faith and of a Greek adopting it. Shiva is the tempting option because the Kushana Vima Kadphises showed Shiva on his coins, but that belongs to a different dynasty and century.Consider the following statements about the Satavahanas:
1. Their kings often bore names derived from their mothers.
2. They are credited with beginning the practice of granting land with fiscal immunities to Brahmanas and Buddhist monks.
3. Their official language was Sanskrit.
Which of the statements given above are correct?Show answer
Answer: C — 1 and 2 only
Statements 1 and 2 are correct: matronymics such as Gautamiputra and Vasishthiputra, and land grants with immunities, are Satavahana hallmarks. Statement 3 is wrong — their inscriptions are in Prakrit; the first long inscription in chaste Sanskrit is the Junagadh record of their Shaka rival Rudradaman.The Junagadh rock inscription of the Shaka ruler Rudradaman I (150 CE) is especially important because it:
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Answer: D — is the first long inscription in chaste Sanskrit
It is the first long inscription in chaste Sanskrit, and it also records the repair of the Sudarshana lake first built under Chandragupta Maurya. It is in Brahmi, not Kharoshthi, and the list of Samudragupta’s conquests is the Prayag Prashasti on the Allahabad pillar.Arrange the following events in chronological order:
1. Menander’s rule from Sakala
2. Rudradaman’s Junagadh inscription
3. Ashoka’s Kalinga war
4. Pushyamitra founds the Shunga dynasty
Select the correct answer using the code below.Show answer
Answer: B — 3 – 4 – 1 – 2
The Kalinga war (c. 261 BCE) comes first, then the Shunga takeover (c. 185 BCE), then Menander (mid-2nd century BCE), and Rudradaman’s inscription is firmly dated to 150 CE. The trap 3–1–4–2 puts Menander before the Shungas; he in fact ruled while the Shungas held the Ganga valley.The principal capital of the Kushana king Kanishka was:
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Answer: C — Purushapura
Kanishka ruled from Purushapura (Peshawar), with Mathura as a second centre. Sakala was the capital of the Indo-Greek Menander, and Pratishthana (Paithan) was the Satavahana capital in the Deccan.Consider the following statements about schools of sculpture:
1. The Gandhara school used grey-blue schist and shows Greco-Roman influence.
2. The Mathura school used spotted red sandstone.
3. The Amaravati school flourished mainly under Kushana patronage.
Which of the statements given above are correct?Show answer
Answer: A — 1 and 2 only
Statements 1 and 2 are correct. Statement 3 is wrong: Amaravati, in the lower Krishna valley, grew under the Satavahanas and later the Ikshvakus, while the Kushanas were the great patrons of Gandhara and Mathura.Which one of the following correctly matches a Sangam-age kingdom with its emblem and capital?
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Answer: A — Pandyas — fish — Madurai
The Pandyas had the fish emblem and ruled from Madurai. The wrong options mix up the other two kingdoms: the tiger and Uraiyur belong to the Cholas, the bow and Vanji to the Cheras, and Korkai was the Pandya pearl port.The Tamil epic Silappadikaram, the story of Kannagi and Kovalan, was composed by:
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Answer: D — Ilango Adigal
Silappadikaram is by Ilango Adigal, by tradition a Chera prince. Sittalai Sattanar wrote its Buddhist sequel, Manimekalai, which is why his name is the strongest distractor; Thiruvalluvar wrote the Tirukkural and Tolkappiyar the grammar Tolkappiyam.Consider the following statements about Kanishka:
1. The Shaka era of 78 CE has traditionally been linked with his accession, though many historians now date his accession to around 127 CE.
2. The Fourth Buddhist Council was held during his reign.
3. The Rabatak inscription, which gives the Kushana genealogy, is in Sanskrit written in Brahmi.
Which of the statements given above are correct?Show answer
Answer: B — 1 and 2 only
Statements 1 and 2 are correct; statement 1 deliberately gives the range rather than a single date, because Kanishka’s era is genuinely disputed. Statement 3 is wrong: the Rabatak inscription is in the Bactrian language written in a Greek-based script.Which one of the following is NOT found in what survives of Megasthenes’ account of India?
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Answer: D — An account of the Kalinga war
Megasthenes was at the court of Chandragupta, two reigns before the Kalinga war, which is known from Ashoka’s own Rock Edict XIII. The other three are genuine reports of his — even the claim of no slavery, which is a misreading of Indian society rather than an invention of later writers.