Indian and Oriental Architecture, and the Works of Renowned Architects

This chapter answers three headings of AR Part B1, Section B1.1: “Indian Architecture”, “Oriental Architecture” and “Works of renowned national and international architects”. It follows India from the Indus cities and the Buddhist stupa, chaitya and vihara through the Nagara, Dravida and Vesara temple, the Indo-Islamic and Mughal buildings, the Rajput, vernacular and colonial work; takes in the Chinese, Japanese, Islamic and Southeast Asian traditions that a candidate can be sure of; and closes with the architects whose buildings are standard examination material, each tied only to the works that are safely attributed. The numericals are counts and areas: Borobudur’s stupas, tatami rooms and the sector of Chandigarh.

1. The Indus cities, the Mauryas and Buddhist architecture

The Indus (Harappan) cities such as Mohenjo-daro and Harappa (now in Pakistan), and Dholavira, Lothal and Kalibangan in India, flourished in their mature phase between about 2600 and 1900 BC. They were planned: a raised citadel and a lower town on a rectilinear grid of streets, standardised baked bricks, courtyard houses with wells and bathrooms, and covered drains along the streets with house connections. The Great Bath of Mohenjo-daro is a brick tank made watertight with bitumen; Harappa has a granary; Dholavira is noted for its water-conserving reservoirs; Lothal has a large basin interpreted as a dock.

In the Mauryan period (third century BC, Ashoka) forms once built in timber were translated into stone: polished sandstone pillars crowned by animal capitals (the Sarnath lion capital is India’s national emblem) and rock-cut caves with mirror-polished interiors, such as the Lomas Rishi cave at Barabar.

The stupa is a solid hemispherical mound (anda) on a drum, enclosing relics. A square railing (harmika) crowns it, from which rises the mast (yashti) carrying umbrellas (chhatra). Round it runs the circumambulatory path (pradakshina patha) inside a stone railing (vedika), entered through gateways (torana) at the four cardinal points, as at Sanchi, where the carved toranas tell Jataka stories.

Stupa, chaitya and vihara
TypeWhat it isExamples
StupaA relic mound for worship by circumambulation; solid, not enteredSanchi; Sarnath (Dhamek)
Chaitya hallAn apsidal prayer hall: a nave and aisles divided by a colonnade, a small stupa at the apse, a barrel-vaulted roof with ribs copying timber, and a horseshoe-shaped window above the doorKarla (the largest and best-preserved early example); Bhaja; Ajanta
ViharaA monastery: monks’ cells opening off a central hall or court, later with a shrine of the BuddhaAjanta; Nalanda (a great brick monastic university)
⚠️ Chaitya is the hall, vihara is the home
A chaitya hall is the place of worship, apsidal, with a stupa at the end. A vihara is the residence of monks, with cells. Do not call the stupa itself a chaitya hall; it is a solid mound with no interior, and the chaitya hall houses a small stupa inside.

2. The Hindu temple: Nagara, Dravida and Vesara

A Hindu temple is a house for the deity and a model of the cosmos. Its core is the garbhagriha, a small dark sanctum. In front of it come the antarala (vestibule) and the mandapa (pillared hall), sometimes with a porch (ardha-mandapa); around the sanctum may run a circumambulatory path (pradakshina patha). Over the sanctum rises the tower, called shikhara in the north and vimana in the south. The plan is laid out on the square grid of the Vastu Purusha Mandala, and the temple usually stands on a raised platform (jagati).

Nagara, Dravida and Vesara
FeatureNagara (north)Dravida (south)Vesara (Deccan, mixed)
TowerCurvilinear shikhara crowned by an amalaka and a kalasha (rekha deul in Odisha)Pyramidal vimana of diminishing storeys topped by a domed crownA blend of the two: tiered towers on star-shaped or many-cornered plans
Gateway and courtNo great gateway; the sanctum tower is the focusWalled enclosure with huge gateway towers (gopuram), tank and pillared corridorsUsually a single star-shaped shrine raised on a platform
ExamplesLingaraja (Bhubaneswar); Kandariya Mahadeva (Khajuraho); Konark Sun Temple; ModheraShore Temple (Mamallapuram); Brihadisvara (Thanjavur); Meenakshi (Madurai)Chennakesava (Belur), Hoysaleswara (Halebidu), Keshava (Somnathpur); Pattadakal

Nagara temples span Odisha (Lingaraja, with its rekha deul, jagamohana porch and halls in sequence; the Sun Temple at Konark, planned as a stone chariot, of the thirteenth century), Khajuraho (the Chandela temples, in which the towers rise as clustered, ascending peaks), and Gujarat and Rajasthan (Modhera Sun Temple; the white-marble Jain temples at Dilwara, Mount Abu). Dravida architecture grew through the Pallavas (the monolithic rathas and Shore Temple at Mamallapuram, the Kailasanatha at Kanchipuram), the Cholas (Brihadisvara at Thanjavur, built under Rajaraja I and consecrated about 1010, with a vimana of thirteen tiers) and the Nayakas (Meenakshi temple, Madurai, famed for its gopurams). The Kailasa temple at Ellora, a Rashtrakuta work of the eighth century, is Dravida in form and is carved out of a single rock from the top downwards.

Vesara, the Deccan blend, is clearest in the Chalukyan temples at Pattadakal, where both Nagara and Dravida towers stand, and in the Hoysala temples of Belur, Halebidu and Somnathpur. The Hoysala shrine is star-shaped in plan, rises on a platform (jagati) with a path round it, is built of fine-grained soapstone, and carries dense sculpture and lathe-turned pillars.

⚠️ The three names are a convention
The Nagara, Dravida and Vesara names come from the Shilpa texts, and the exam convention is: north, curvilinear shikhara is Nagara; south, pyramidal vimana and gopuram is Dravida; Deccan hybrid or star-plan is Vesara. A tall gateway tower is a Dravida marker, since the Nagara temple has none.

3. Indo-Islamic and Mughal architecture

Islamic rulers brought arched, vaulted and domed construction with lime mortar; Indian craftsmen supplied stone carving. Early work in Delhi used the corbelled (false) arch, built of overlapping courses. The true arch of wedge-shaped voussoirs and the true dome become established in the Khalji period, and the Alai Darwaza (1311) of Alauddin Khalji at the Qutb complex is the classic example. A mosque has a courtyard (sahn) with an ablution tank, a prayer hall (liwan) whose rear wall faces Mecca (the qibla wall) and carries the niche (mihrab), a pulpit (minbar) and minarets.

Phases of Indo-Islamic architecture
PhaseCharacterExamples
Delhi SultanateSandstone and marble; corbelled arches giving way to true arches; Tughlaq work with battered, sloping walls and austerity; Lodi octagonal tombs in gardens with double domesQutb Minar (begun by Qutbuddin Aibak; about 72.5 m, five tapering storeys); Quwwat-ul-Islam mosque; Alai Darwaza; Tomb of Ghiyasuddin Tughlaq
ProvincialLocal fusion: Gujarat’s Hindu and Jain carving, Jaunpur’s massive gateways, Deccan domesSidi Saiyyid’s jali, Ahmedabad; Atala Masjid, Jaunpur; Gol Gumbaz, Bijapur, with its immense dome and whispering gallery; Charminar, Hyderabad
MughalPersian garden planning (charbagh), double domes, red sandstone then white marble, pietra dura, jalis, chhatrisHumayun’s Tomb; Fatehpur Sikri; Itimad-ud-Daulah; Taj Mahal; Red Fort and Jama Masjid, Delhi

Mughal architecture matured in four reigns. Humayun’s Tomb in Delhi (begun in the 1560s, designed by the Persian architect Mirak Mirza Ghiyas) is the first great garden tomb: a charbagh, a double dome, red sandstone relieved with white marble. Under Akbar, Fatehpur Sikri (1571–85) fused Persian, Gujarati and Rajput elements in red sandstone, with the Buland Darwaza, the Jama Masjid, the Diwan-i-Khas with its central pillar and the white-marble tomb of Salim Chishti. Under Jahangir, the Itimad-ud-Daulah tomb used white marble and pietra dura. Under Shah Jahan, the Taj Mahal (begun 1632) stands on a plinth by the Yamuna in a charbagh, with a double dome, four minarets and a pishtaq (arched portal) of white Makrana marble inlaid with semiprecious stones; he also built the Red Fort and the Jama Masjid in Delhi. Under Aurangzeb came the Badshahi Mosque in Lahore and Bibi ka Maqbara, a smaller echo of the Taj.

⚠️ Trabeated or arcuated
A Hindu temple is traditionally trabeated and corbelled, built with post, lintel and overlapping courses, and has a shikhara. An Indo-Islamic building is arcuated, with true arches, vaults and domes, and has minarets and a qibla wall. Humayun’s Tomb is a precursor of the Taj, so a question about the first Mughal garden tomb with a double dome is not about the Taj.

4. Rajput, vernacular and colonial architecture

Rajput architecture (Rajasthan, fifteenth to eighteenth centuries) answers the desert and the hill. Its marks are hill forts (Chittorgarh, Kumbhalgarh, Amer, Jaisalmer); palaces with jharokhas (projecting balconies), chhatris (domed pavilions) and jalis (stone lattices that screen and cool); courtyard havelis with painted walls (Shekhawati); and stepwells (baoli or vav), an older western Indian form shared by Rajasthan and Gujarat, as at Rani ki Vav, Patan, and Chand Baori, Abhaneri. Jaipur, founded in 1727 by Sawai Jai Singh II and planned with the help of Vidyadhar Bhattacharya, is a grid of nine blocks (chaukris) laid out on Vastu principles, with the Jantar Mantar observatory.

Vernacular responses to climate
RegionBuilding formReason
KeralaTimber houses with steep roofs, deep eaves and an inner courtHeavy rain and humidity
Rajasthan, GujaratInward-looking courtyard havelis and the pols of Ahmedabad, tight clusters with jalis and shaded lanesHot dry heat, community and security
HimalayaKath-kuni: layers of timber and stone laid alternatelyCold climate and flexibility against earthquakes
Bengal, coastThatched huts with curved eaves, the origin of the bangla roofMonsoon rain shed quickly
North-EastBamboo and timber houses raised on stiltsFlood, damp and animals

Colonial architecture came in layers. The Portuguese built Baroque churches in Goa (such as the Basilica of Bom Jesus), the French laid out Pondicherry on a grid, and the British moved from Palladian and Neoclassical government houses through Victorian Gothic Revival to Indo-Saracenic, which put Mughal, Hindu and Gothic motifs on a Western plan. Examples are the Chhatrapati Shivaji Terminus (Victoria Terminus), Mumbai, by F. W. Stevens; the Victoria Memorial, Kolkata, by William Emerson; the Gateway of India, Mumbai, by George Wittet; and the Mysore Palace by Henry Irwin. New Delhi, inaugurated in 1931, was planned by Edwin Lutyens with Herbert Baker: Lutyens designed the Viceroy’s House (now Rashtrapati Bhavan), whose central dome recalls the Buddhist stupa and which uses chhajjas, jalis, chhatris and the “Delhi Order” column capital hung with bells, while Baker designed the Secretariat blocks.

5. Oriental architecture: China, Japan, the Islamic world and Southeast Asia

Oriental traditions at a glance
TraditionStructural ideaKey examples
ChinaA timber post-and-beam frame carries the roof; walls are non-load-bearing. The dougong bracket sets between column and roof beam spread the load and carry deep, upturned eaves. Courtyard planning on a north-south axis, hierarchical; modules codified in the Yingzao Fashi (1103, Song)Forbidden City, Beijing (Ming); Temple of Heaven; Foguang Temple (857), a Tang timber hall among the oldest surviving; pagodas, descended from the Indian stupa
JapanTimber post-and-beam with joinery, deep eaves, raised floors, sliding screens (shoji, fusuma), a veranda (engawa), and the tatami mat as the module of roomsIse Jingu, a Shinto shrine rebuilt every twenty years; Horyu-ji, Nara; Katsura Imperial Villa; tea houses; Himeji Castle
Islamic worldCourtyard mosque, hypostyle prayer hall, iwan (vaulted portal), minarets; domes on squinches or pendentives; non-figural decoration of arabesque, geometry, calligraphy and muqarnas (honeycomb vaulting)Dome of the Rock, Jerusalem (691–692); Great Mosque of Córdoba, with double-tiered arcades of striped arches, the lower tier of horseshoe form; Alhambra, Granada; Selimiye Mosque, Edirne, by Sinan; Imam Mosque, Isfahan
Southeast AsiaIndian-derived sacred forms re-imagined: the temple as a mountain or a mandala, built of sandstone or volcanic stoneAngkor Wat, Cambodia; the Bayon at Angkor Thom; Borobudur and Prambanan, Java

Angkor Wat was built in the early twelfth century by the Khmer king Suryavarman II as a temple of Vishnu. It is a temple-mountain, a model of Mount Meru, with a moat, concentric galleries carrying long bas-reliefs, and five towers (a central one and four at the corners). Borobudur in Java, a Buddhist monument of the eighth and ninth centuries built under the Shailendra dynasty, is a stupa-mandala without interior chambers: pilgrims climb round six square terraces, with relief galleries, to three circular terraces carrying 72 perforated stupas (32, 24 and 16 in three rings), each housing a Buddha, around a great central stupa. The tatami is about 0.9 m by 1.8 m (sizes differ by region), so one mat is about 1.62 m² and an 8-mat room is about 13 m².

⚠️ Only be sure of what you are sure of
Keep the central ideas straight: dougong is Chinese and the tatami module is Japanese; Borobudur is a Buddhist stupa-mandala in Java, while Angkor Wat is a Hindu temple-mountain in Cambodia; the pagoda descends from the Indian stupa. Do not move monuments between countries.

6. International architects and their works

The modern masters
ArchitectWorks to knowIdea to attach
Le Corbusier (Charles-Édouard Jeanneret)Villa Savoye; Unité d’Habitation, Marseille; Notre-Dame du Haut, Ronchamp; the Capitol Complex and plan of Chandigarh; in Ahmedabad the Mill Owners’ Association Building, Villa Sarabhai and Villa ShodhanFive points, Modulor, raw concrete (béton brut); “a house is a machine for living in”
Frank Lloyd WrightRobie House, Chicago; Fallingwater; Johnson Wax Building; Guggenheim Museum, New York (spiral ramp)Organic architecture: building and site grow together; horizontal Prairie lines
Mies van der RoheBarcelona Pavilion; Villa Tugendhat; Farnsworth House; Seagram Building; Crown Hall, Chicago“Less is more”; steel, glass and universal space
Walter GropiusFagus Factory, Alfeld (with Adolf Meyer); the Bauhaus building, DessauFounder of the Bauhaus; glass curtain wall; taught at Harvard
Alvar AaltoPaimio Sanatorium; Villa Mairea; Finlandia Hall; Säynätsalo Town Hall; Baker House, MITHumane, organic Modernism: timber, brick, daylight and curved forms
Louis KahnSalk Institute, La Jolla; Kimbell Art Museum, Fort Worth; Indian Institute of Management, Ahmedabad; National Assembly, DhakaServed and servant spaces; monumental brick and concrete; light as the maker of space
Later and contemporary masters
ArchitectWorks to knowIdea to attach
Antoni GaudíSagrada Família; Casa Batlló; Casa Milà; Park GüellCatalan Modernisme; hanging-chain (catenary) models, hyperboloid and hyperbolic-paraboloid surfaces, broken-tile mosaic
Jørn UtzonSydney Opera House (competition 1957, opened 1973)Shell roofs from one sphere; platform and roof as separate ideas; resigned in 1966
Oscar NiemeyerBrasília (Palácio da Alvorada, National Congress, Cathedral) with Lúcio Costa’s city planSculptural reinforced-concrete curves
Renzo PianoCentre Pompidou, Paris (with Richard Rogers, 1977); The Shard, London; Kansai International Airport terminalHigh-tech: exposed structure and services, lightness
Norman FosterHSBC Headquarters, Hong Kong; Reichstag dome, Berlin; 30 St Mary Axe (the Gherkin), LondonHigh-tech, with an emphasis on structure and energy-conscious design
Frank GehryGuggenheim Museum Bilbao; Walt Disney Concert Hall, Los Angeles; Dancing House, Prague (with Vlado Milunić)Sculptural, titanium-clad forms realised with digital modelling
Zaha HadidVitra Fire Station; MAXXI, Rome; Heydar Aliyev Centre, Baku; London Aquatics CentreFluid, parametric geometry; first woman to receive the Pritzker Prize (2004)
Rem Koolhaas (OMA)CCTV Headquarters, Beijing; Seattle Central Library; the book Delirious New York (1978)Programme-driven design and “bigness”

7. Indian and South Asian architects

Architects of India and South Asia
ArchitectWorks to knowIdea to attach
B. V. DoshiSangath, his own studio; Aranya Low Cost Housing, Indore; CEPT (School of Architecture), Ahmedabad; IIM BangaloreWorked with Le Corbusier; vaulted forms, incremental low-cost housing; first Indian to win the Pritzker Prize (2018)
Charles CorreaGandhi Smarak Sangrahalaya, Ahmedabad; Kanchanjunga Apartments, Mumbai; Jawahar Kala Kendra, Jaipur; Navi Mumbai planning“Form follows climate”; open-to-sky space; the nine-square mandala plan of Jawahar Kala Kendra
Achyut KanvindeATIRA, Ahmedabad; the IIT Kanpur campusTrained under Gropius at Harvard; rational, functional Modernism for institutions
Raj RewalAsian Games Village, New Delhi; Hall of Nations, Pragati Maidan (a concrete space frame, 1972); Parliament Library, New DelhiModern structure joined to the courtyards and shaded lanes of traditional Indian towns
Laurie BakerCentre for Development Studies and Indian Coffee House, Thiruvananthapuram; low-cost housing in KeralaBritish-born, worked in Kerala: local brick, rat-trap bond, filler slabs, brick jalis, curved walls, minimum cost
Geoffrey Bawa (Sri Lanka)Lunuganga, his estate; the Parliament complex at Sri Jayawardenepura Kotte; Kandalama HotelTropical Modernism: courtyards, verandas, deep roofs and landscape fusing inside and outside

Chandigarh was planned in the 1950s by Le Corbusier, after an earlier plan by Albert Mayer and Matthew Nowicki, and with Pierre Jeanneret, Maxwell Fry and Jane Drew. The city is divided into sectors, each a self-contained neighbourhood of 800 m by 1200 m, separated by arterial roads; at its head stands the Capitol Complex of the Legislative Assembly, the High Court, the Secretariat and the Open Hand monument. Worked example: a sector of 800 m × 1200 m has an area of 960,000 m², which is 96 hectares.

⚠️ Two Bakers
Laurie Baker (Kerala, brick, low-cost, rat-trap bond) is not Herbert Baker, who designed the Secretariat blocks in New Delhi with Lutyens. Similarly, Louis Kahn designed IIM Ahmedabad, while Doshi supervised Le Corbusier’s Ahmedabad works and designed CEPT, Sangath and IIM Bangalore. Check the first name before ticking an answer.

Key takeaways

  • Indus cities were planned on a grid with citadel and lower town and covered drains. The Buddhist stupa is a solid relic mound with harmika, yashti, chhatra, vedika and torana; the chaitya is the apsidal prayer hall and the vihara the monks’ residence.
  • Nagara has a curvilinear shikhara with amalaka; Dravida has a pyramidal vimana and huge gopurams in a walled court; Vesara is the Deccan blend, with the Hoysala star-plan temple on a platform. Know Konark, Khajuraho, Thanjavur, Madurai, Pattadakal and Belur.
  • Indo-Islamic building is arcuated: corbelled arches gave way to true arches and domes, as in the Alai Darwaza. The Mughal line runs from Humayun’s Tomb (charbagh, double dome) through Fatehpur Sikri to the Taj Mahal in white marble with pietra dura.
  • Rajput work is forts, jharokhas, chhatris, jalis, havelis and stepwells, with Jaipur’s nine-block plan. Vernacular forms answer climate. Colonial work moved to Indo-Saracenic, and Lutyens and Baker built New Delhi.
  • Chinese buildings rest on a timber frame with dougong brackets; Japanese rooms are modulated by the tatami; Islamic buildings use courtyard, iwan, dome and muqarnas; Borobudur (Java, Buddhist, 72 perforated stupas) is not Angkor Wat (Cambodia, Hindu).
  • Match architect to idea and safe works: Le Corbusier (five points, Chandigarh), Wright (organic), Mies (less is more), Gropius (Bauhaus), Aalto (humane), Kahn (served and servant; IIM Ahmedabad), Gaudí, Utzon, Niemeyer, Piano, Foster, Gehry, Hadid, Koolhaas, and Doshi, Correa, Kanvinde, Rewal, Laurie Baker and Bawa.

Practice questions (18)

Attempt each one before opening the answer. Every explanation names the tempting wrong option as well as the right one, because that is where marks are lost.

  1. A Bronze Age city has a raised citadel and a lower town on a rectilinear grid of streets, standardised baked bricks and covered street drains. It is most likely a city of the

    1. Indus (Harappan) civilisation, such as Mohenjo-daro
    2. Mauryan empire, built of polished sandstone around a timber palisade
    3. Vijayanagara empire, laid out round a great stone chariot street and temples
    4. Delhi Sultanate, enclosed by battered walls and entered through arched gateways
    Show answer

    Answer: A — Indus (Harappan) civilisation, such as Mohenjo-daro

    The citadel and lower town, the grid, the standard baked brick and the covered drains are the hallmarks of the Harappan cities. The later empires named in the other choices built very differently: the Mauryas used timber and polished stone, Vijayanagara has stone temple streets, and the Sultanate has arcuated, battered-wall forts.
  2. An early Buddhist rock-cut hall has a nave and aisles divided by a colonnade, an apsidal end with a small stupa, a ribbed barrel-vaulted roof and a horseshoe-shaped window over the entrance. It is a

    1. vihara, the residence of monks, with cells opening off a hall
    2. stupa, a solid relic mound that is not entered
    3. chaitya hall, the prayer hall of the rock-cut tradition
    4. mandapa, the pillared hall in front of a Hindu sanctum
    Show answer

    Answer: C — chaitya hall, the prayer hall of the rock-cut tradition

    An apsidal hall with a colonnade, a stupa at the end and a horseshoe window is a chaitya hall, as at Karla. The vihara is the monks’ dwelling with cells, the stupa is the solid mound itself, and the mandapa is Hindu.
  3. A temple stands in a walled enclosure with tall gateway towers, a tank and pillared corridors, and its sanctum is capped by a pyramidal tower of diminishing storeys. The style is

    1. Nagara, because the tower over the sanctum is a curvilinear shikhara
    2. Dravida, because it has a pyramidal vimana and a gateway-towered court
    3. Indo-Islamic, because it rests on an arcuated plinth with minarets
    4. Rajput, because it is a hill fort with jharokhas and chhatris
    Show answer

    Answer: B — Dravida, because it has a pyramidal vimana and a gateway-towered court

    The pyramidal vimana and the gopuram-gated walled court with a tank are the signature of the Dravida style of the south. Nagara temples have curvilinear shikharas and no great gateway towers.
  4. A twelfth-century temple in Karnataka is built of soapstone, stands on a platform with a path round it, and has a star-shaped plan with lathe-turned pillars. Which of the three classical temple traditions best labels it?

    1. Nagara, since a north Indian shikhara is always set on a high platform with a path round it
    2. Dravida, since every Dravida shrine stands in a walled court and is built of soapstone
    3. Indo-Islamic, since the star plan arrived in the south with the Delhi Sultanate
    4. Vesara, the Deccan blend, of which the Hoysala star-shaped temple is the clearest case
    Show answer

    Answer: D — Vesara, the Deccan blend, of which the Hoysala star-shaped temple is the clearest case

    A soapstone, star-plan temple on a jagati with lathe-turned pillars is the Hoysala type of Karnataka, the usual example of the Deccan blend called Vesara. It is not Nagara or Dravida in the strict sense; the other choices each attach a false reason to a familiar name.
  5. Which structural advance over the earlier corbelled work is classically shown by the Alai Darwaza of 1311 at the Qutb complex?

    1. The pointed ribbed vault carried by flying buttresses
    2. The corbelled arch of overlapping horizontal courses
    3. The true arch and true dome of wedge-shaped voussoirs
    4. The trabeated hypostyle hall with a raised central nave
    Show answer

    Answer: C — The true arch and true dome of wedge-shaped voussoirs

    The Alai Darwaza of Alauddin Khalji is the classic early Indian example of the true arch and dome built of voussoirs. The corbelled arch is the earlier, false arch that the true arch came to replace; the ribbed vault with flying buttresses is Gothic and the hypostyle hall is Egyptian.
  6. The first great garden tomb of the Mughals, set in a charbagh, with a double dome of red sandstone relieved with white marble, designed by Mirak Mirza Ghiyas, is

    1. the Taj Mahal, built by Shah Jahan on the Yamuna at Agra
    2. Humayun’s Tomb in Delhi, begun in the 1560s
    3. the tomb of Itimad-ud-Daulah at Agra, built of white marble
    4. Bibi ka Maqbara at Aurangabad, a smaller echo of the Taj
    Show answer

    Answer: B — Humayun’s Tomb in Delhi, begun in the 1560s

    Humayun’s Tomb is the first great Mughal garden tomb, in red sandstone with white marble, and it is the model for the Taj. The Taj and Itimad-ud-Daulah are white-marble buildings, and the Taj, the tempting answer, comes several decades later; Bibi ka Maqbara is a still later, smaller echo of the Taj.
  7. Lutyens’s Viceroy’s House in New Delhi combines a classical composition with a central dome recalling the Buddhist stupa, deep chhajjas, jalis and a column capital hung with bells. Which description fits it best?

    1. A pure Indo-Saracenic building that copies the Mughal forms of Fatehpur Sikri
    2. A Victorian Gothic Revival building with pointed arches and a tall spire
    3. An Art Deco building with zigzag and chevron ornament
    4. A classical building adapted with Indian features, the “Delhi Order”
    Show answer

    Answer: D — A classical building adapted with Indian features, the “Delhi Order”

    Lutyens kept a classical order and composition and added Indian elements: a stupa-like dome, chhajjas, jalis and bells on the capital. It is not the Indo-Saracenic of earlier colonial buildings, which put Mughal and Gothic motifs onto a Western plan; that label is the tempting error.
  8. In Chinese timber architecture the dougong is

    1. a set of interlocking brackets between column and beam that spreads the roof load and carries deep eaves
    2. a ceremonial gate of tiered roofs that marks the entrance to a temple precinct or street
    3. a modular unit of floor area based on the size of a woven straw mat used in Japanese rooms
    4. a many-tiered tower descended from the Indian stupa and used to house relics and scriptures
    Show answer

    Answer: A — a set of interlocking brackets between column and beam that spreads the roof load and carries deep eaves

    The dougong is the characteristic bracket system that transfers the roof load to the columns and supports the wide, upturned eaves. The tiered gate, the straw-mat module (the Japanese tatami) and the tower (the pagoda) are different things.
  9. A brick-and-concrete campus in Ahmedabad, a national assembly in Dhaka and a research institute at La Jolla were designed by an architect who spoke of “served” and “servant” spaces. He is

    1. Le Corbusier, who designed the Mill Owners’ Association Building at Ahmedabad
    2. Louis Kahn, designer of the Indian Institute of Management at Ahmedabad
    3. Mies van der Rohe, who built the Seagram Building in New York
    4. B. V. Doshi, who designed the School of Architecture at CEPT, Ahmedabad
    Show answer

    Answer: B — Louis Kahn, designer of the Indian Institute of Management at Ahmedabad

    The Salk Institute, the National Assembly at Dhaka and the Indian Institute of Management at Ahmedabad are Louis Kahn’s, and “served and servant spaces” is his idea. Le Corbusier worked in Ahmedabad too, which is why he is the tempting answer, but he did not design these buildings.
  10. Low-cost brick buildings in Kerala that use rat-trap bond, filler slabs and brick jalis, such as the Centre for Development Studies in Thiruvananthapuram, are associated with

    1. Herbert Baker, who designed the Secretariat blocks of New Delhi
    2. Geoffrey Bawa, the Sri Lankan architect of tropical Modernism
    3. Charles Correa, the planner of Navi Mumbai and designer of Kanchanjunga
    4. Laurie Baker, the British-born architect who made Kerala his home
    Show answer

    Answer: D — Laurie Baker, the British-born architect who made Kerala his home

    Rat-trap bond, filler slabs and brick jalis at minimum cost are Laurie Baker’s trademarks. Herbert Baker shares the surname but worked on imperial New Delhi; Bawa is Sri Lankan, and Correa is known for Navi Mumbai and open-to-sky planning.
  11. A Catalan architect used hanging-chain (catenary) models to find the funicular forms of arches and vaults, and covered surfaces with broken-tile mosaic. He is

    1. Jørn Utzon, who derived the shells of the Sydney Opera House from a sphere
    2. Oscar Niemeyer, the sculptor in reinforced concrete of Brasília
    3. Antoni Gaudí, architect of Casa Milà and the Sagrada Família
    4. Frank Gehry, who modelled the Guggenheim Bilbao digitally
    Show answer

    Answer: C — Antoni Gaudí, architect of Casa Milà and the Sagrada Família

    Catenary models, where a hanging chain gives the pure compression form when inverted, and trencadís mosaic belong to Gaudí. Utzon’s shells come from a sphere, Niemeyer’s curves are sculptural, and Gehry’s forms are produced with digital modelling.
  12. The three circular terraces at the top of Borobudur carry perforated stupas in three concentric rings, 72 in all. If the outer ring has 32 and the inner ring has 16, the number in the middle ring is ____.

    Numerical answer — type the value.

    Show answer

    Answer: 24

    Middle ring = 72 − 32 − 16 = 24. The three rings of 32, 24 and 16 follow the diminishing circumference of the terraces; a check, 32 + 24 + 16 = 72.
  13. A Japanese tatami mat measures 0.9 m by 1.8 m. The floor area of an 8-mat room, in square metres and correct to two decimal places, is ____.

    Numerical answer — type the value.

    Show answer

    Answer: 12.96

    One mat = 0.9 × 1.8 = 1.62 m². Eight mats = 8 × 1.62 = 12.96 m². Check: 0.9 × 1.8 × 8 = 0.9 × 14.4 = 12.96 m².
  14. A Chandigarh sector is a neighbourhood of 800 m by 1200 m. Assume it is planned at a gross density of 150 persons per hectare. The population it houses is ____.

    Numerical answer — type the value.

    Show answer

    Answer: 14400

    Area = 800 × 1200 = 960,000 m² = 96 ha (1 ha = 10,000 m²). Population = 96 × 150 = 14,400. Check: 100 ha would hold 15,000, and 4 ha fewer is 600 persons fewer, giving 14,400.
  15. Which of the following are typical of Mughal architecture?

    1. A charbagh garden plan around a tomb
    2. Gopuram gateway towers on a walled enclosure
    3. Pietra dura inlay in white marble
    4. A curvilinear shikhara over the sanctum
    Show answer

    Answer: A — A charbagh garden plan around a tomb; C — Pietra dura inlay in white marble

    The charbagh and pietra dura inlay are Mughal signatures, with double domes. The gopuram belongs to Dravida temples and the curvilinear shikhara to Nagara temples.
  16. Which of the following building–architect pairs are correct?

    1. Chhatrapati Shivaji Terminus (Victoria Terminus), Mumbai: F. W. Stevens
    2. Gateway of India, Mumbai: George Wittet
    3. Victoria Memorial, Kolkata: Edwin Lutyens
    4. Secretariat blocks, New Delhi: Laurie Baker
    Show answer

    Answer: A — Chhatrapati Shivaji Terminus (Victoria Terminus), Mumbai: F. W. Stevens; B — Gateway of India, Mumbai: George Wittet

    Stevens designed the Victoria Terminus and Wittet the Gateway of India. The Victoria Memorial is by William Emerson, and the New Delhi Secretariat is by Herbert Baker, not Laurie Baker, who worked in Kerala.
  17. Which of the following statements about Oriental architecture are correct?

    1. In Chinese timber buildings the walls do not carry the roof, which rests on a post-and-beam frame
    2. The Ise shrines in Japan are rebuilt at regular intervals, traditionally every twenty years
    3. Borobudur is a Hindu temple-mountain built by the Khmer king Suryavarman II
    4. The pagoda is generally traced back to the Indian stupa
    Show answer

    Answer: A — In Chinese timber buildings the walls do not carry the roof, which rests on a post-and-beam frame; B — The Ise shrines in Japan are rebuilt at regular intervals, traditionally every twenty years; D — The pagoda is generally traced back to the Indian stupa

    The timber frame with non-load-bearing walls, the periodic rebuilding of Ise and the stupa origin of the pagoda are sound. Borobudur is a Buddhist monument in Java, built under the Shailendra dynasty; the Khmer Hindu temple-mountain built by Suryavarman II is Angkor Wat.
  18. Which of the following architect–work pairs are correct?

    1. Zaha Hadid: the Sydney Opera House
    2. Frank Gehry: the Guggenheim Museum, Bilbao
    3. Norman Foster: the Salk Institute, La Jolla
    4. Renzo Piano with Richard Rogers: the Centre Pompidou, Paris
    Show answer

    Answer: B — Frank Gehry: the Guggenheim Museum, Bilbao; D — Renzo Piano with Richard Rogers: the Centre Pompidou, Paris

    Gehry designed the Bilbao Guggenheim, and Piano with Rogers designed the Centre Pompidou. The Sydney Opera House is by Jørn Utzon, and the Salk Institute is by Louis Kahn, not Foster.